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Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford Studies in Music Theory) de Richard Cohn

Descripción - Críticas This book is a major contribution to the field of music theory ... Cohn targets not only music theorists but also music historians, conductors, performers, and any interested music listener with a modest level of music-theory training. Avoiding excessive theoretical jargon ... he presents analyses ... that are illuminating regardless of one's theoretical background ... Highly recommended (T. E. Buehrer, CHOICE) Reseña del editor Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers. Biografía del autor Richard Cohn is Battell Professor of Music Theory at Yale University. His work on chromatic harmony has been the topic of a series of summer seminars convened by the late John Clough, and has been developed in about a dozen doctoral dissertations, at Chicago, Indiana, Yale, Harvard, and SUNY-Buffalo. His articles have twice earned the Society for Music Theory's Outstanding Publication Award. Cohn edits the Oxford Studies in Music Theory series. In preparation is a general model of meter with applications for European, African, and African-diasporic music, and a co-edited collection on David Lewin's phenomenological writings.

Audacious euphony chromatic harmony and the triads this item audacious euphony chromatic harmony and the triads second nature oxford studies in music theory by richard cohn hardcover 3449 only 1 left in stock more on the way sent from and sold by Audacious euphony chromatic harmony and the triads este libro fue escrito por el autor richard cohn y este autor nunca decepciona en el sitio web de viasatelitalnet puedes descargar el libro de audacious euphony chromatic harmony and the triads second nature oxford studies in music theory Descargar gratis audacious euphony chromatic harmony and descargue y lea el libro audacious euphony chromatic harmony and the triads second nature oxford studies in music theory escrito por richard cohn en formato pdf o epub puede descargar cualquier libro como audacious euphony chromatic harmony and the triads second nature oxford studies in music theory en su dispositivo para disponer de él, cuando mejor le convenga

Audacious euphony chromaticism and the triads second joseph n straus, distinguished professor, cuny graduate center former president, society for music theory for sheer virtuosity in theory making and theorybased analysis, audacious euphony deserves the highest praise it lights up as never before the universe of triads domesticated in nineteenthcentury chromatic music Audacious euphony chromatic harmony and the triads audacious euphony chromatic harmony and the triads second nature oxford studies in music theory richard cohn libros en idiomas extranjeros Audacious euphony chromatic harmony and the triads audacious euphony chromatic harmony and the triads second nature cohn, richard libri in altre lingue

Detalles del Libro

• Name: Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford Studies in Music Theory)
  
• Autor: Richard Cohn
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 7 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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Audacious euphony chromatic harmony oxford scholarship audacious euphony reconstructs this view and uses it as the basis for a chromatic model of triadic space, developing geometric representations from blueprints of euler 1739 and weitzmann 1853 the model renders coherent many passages of romantic music eg of schubert, liszt, brahms, chopin, wagner that are disjunct from the standpoint of classical tonality Audacious euphony chromatic harmony and the triads music theorists have long believed that 19thcentury triadic progressions idiomatically extend the diatonic syntax of 18thcentury classical tonality, and have accordingly unified the two repertories under a single mode of representation poststructuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax Audacious euphony chromatic harmony and the triads audacious euphony chromatic harmony and the triads second nature oxford studies in music theory by cohn, richard 2012 hardcover richard cohn libros

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